Radio Update // Art Shit

Me and Sue hanging out with the owner of Casanova Pizzeria

RADIO UPDATE:

Radio Harvester continues to shine as a guiding light on the internet for the losers and shlubs of NYC or anywhere really to reach the path of inner acceptance. This month's broadcast has us talking to

Sue Jeiven

who is a total badass, an incredibly talented tattoo artist and one of my longstanding Older Punk Rolemodels. We talked about how she got into tattooing, the correlation between pizza and punk, what it's like dealing with terminal cancer, and much more.

You can listen here:

Sue has asked that I emphasize that this tattoo is NOT her work.

But if you wanna be a mensch will you please subscribe in iTunes and give it a 5 star review that uses at least one yiddish word?

ITUNES ITUNES ITUNES ITUNES ITUNES

thanks.

ART SHIT

My number one homegirl

Caroline Paquita

 has a show opening tomorrow night at Booklyn and it's gonna be SIIIIIICK. Seriously. Hella pubic wigs, self-cunnilingus wooden puppets, weird tits with lights on the ends of them, total freak shit. To quote the gallery, who doesn't sound like a dickhead when they talk about art:

GARDEN OF THE WOMANIMAL explores a recurring theme throughout the recent years of Caroline’s work, depicted in a wide variety of media, a cult of “womanimals” half-women/half-wild animals are illustrated in landscapes of playful sexual scenarios, mystical adventures, and explorations of nature and the body. The womanimals’ corrupt playfulness and exuberance are contrasted by the meticulously clean line work of Paquita’s drawings and paintings. Newer works are surrounded by thirteen years of imagery demonstrating the evolution towards this theme and its stylized representation.

For real, just go to this shit. I'm sure there will be some food or something that you can eat and you probably just sit around playing Street Fighter all day and could deal with having your horizons broadened by an amazing weirdo.

GARDEN OF THE WOMANIMAL

CAROLINE PAQUITA

Opening reception + Book Launch, Saturday April 12, 2014, 7 - 10pm

April 12 - June 8th, 2014

MISCELLANEOUS REPORTS ON THE PATRIARCHY DEPT

1. I been basically a sober dog for like over two years now, which is generally awesome. In that time I have developed a weird affinity for horror movies that I never had before, I think mostly because the physical sensation of being scared is kind of like getting fucked up in a super PG way. ANYWAY, I have been through the dregs of the Netflix and Hulu Plus horror sections, obviously a lot of that shit sucks and is full of superfluous violence, sexualized violence towards women, hella patriarchy buttressing, gender role reinforcement, yadda yadda yah. As Chief Keef so eloquently said, "that's that shit I don't like." But like gangsta rap, I have a really complicated relationship with horror films that is in many ways made possible by my privilege as a straight cis-dude and blah blah blah, you know what I mean, right?

POINT IS: I have watched like, two movies in the past two weeks where the killer was some unhinged man dressed like a woman and I think that shit is SO WHACK and played out. First I watched "IN DREAMS" where Robert Downey Jr plays a murderous transwoman who just wants to be masculinized by having a heterosexual nuclear family so he kidnaps a woman and child to make them let him be the dad and it's all because his dad left and so he had no male role model as a child. Puh-lease. It was directed by Neil Jordan who I realize now directed the Crying Game so obviously FUCK HIM and he is added to the list of people I'm gonna fight after I get my weight up. Current list: Tucker Max, Hoodie Allen, Neil Jordan.

Far more upsetting than that, though, was watching Insidious 2 last night and look, the first one was good until they went into the SHADOW WORLD or whatever and then the villain turned out to be some bullshit TOM WAITS character, but it was good enough that I was stoked when the second one came on netflix and there was at least only regular amounts of patriarchy reinforcement rather than like, brutal overwhelming amounts. AND THEN in the sequel you learn that the killer is some dude who puts on a black wedding dress and makeup and murders women because his dad left and he didn't have a male role model. REALLY?! Thanks Insidious Chapter 2 for ruining yourself for me by trotting out the same tired ass gender tropes. COVER SOME NEW GROUND.

Like, I would be SO STOKED to see a horror movie that had a trans character in it that wasn't totally pathologized. I don't know, whatever. Fuck everything.

Some New York Moments.

Hey y'all. Sorry I been MIA from the blog, but I didn't really have anything substantial to say, so I figured why say anything? I am still pretty active on my facebook and twitter if you can't get enough of me in your life, but really, who needs overkill?

Part of why I've been so absent is that I'm writing a book! I don't know why I never announced that publicly. Maybe I did and I just can't remember because I haven't updated in so long. Regardless, I'd like to keep this blog alive, so I think I'm gonna try and write at least one decent update a month! Not necessarily about pizza, but hopefully a little about pizza. This month will be the former.

Part of why I'm posting is that I was in the Wall Street Journal yesterday! I always like being in that paper because my dad hates it. Even though I pretty much agree with all of his criticisms, it will always be cool to piss off your dad. Take that old man! (jk dude ily).

They called me for an article about "the disappearance of the pizzeria" or something. The thesis of the article is that the traditional pizza place is being supplanted by dollar slice joints. I told the really nice reporter who called me for a quote that this phenomenon was only happening in the shittier parts of Manhattan that are already basically barren cultural wastelands and that actual neighborhoods still have neighborhood pizzerias! Big up Pizza Palace, big up Carmine's Original, big up New Park Pizza.

Speaking of Manhattan turning into total garbage, I was coming over the Williamsburg Bridge onto Delancey the other night and noticed that new 7-11 lit up on the corner of Stanton, with the AT&T store lit up right next to it, and I for real almost started crying because Delancey Street was never the coolest place on Earth or anything, but it didn't have weird mall stores on it and New York in general wasn't so willing to cater to corporate presence. Like, that 7-11 used to be a bodega that was basically the same as a 7-11, except it was unique and not a replica of a million places identical places all over the world. It was a generic bodega, but it was our generic bodega. I'm sure the AT&T store used to be one of those sketchy cellphone/beeper places too, and it is like, possibly more useful as an AT&T store but FUCK THAT anyway. RIP my youth. He was so young.

And now I'm just gonna post an edited version of an email I wrote a friend in LA. He doesn't look at the internet anyway, so there's no reason to worry about him finding out I was workshopping material for my blog in my letter to him! This is one of the many incidental plus sides to old punks hating the internet.
Aaron-

I have two (maybe it's actually two and a half) wonderful New York moments for you:

Tina's lease is about to be up, but she's been working like 500 hours a day at ______ and doesn't have time to look at apartments. Yesterday, I took a tiny bit of time out of my day to see a couple of places for her that were walking distance from my house. The first was on _____ and _____ in this wonderful-looking old tenement building. I was supposed to meet the broker at 1:15, but walked over a little early to just check out the block and feel the ~vibes~ or whatever. When I got to the building there were two tattooed white women (not punx) outside smoking and I was like, "hey do you guys live here?"
And the one of them was like, "We're trying to."
"You're waiting for the broker to see the apartment, too? The $1800 two bedroom?"
"Yep."

Okay so these people were now potential enemy combatants or whatever, but I was cordial. They were complaining to each other a bunch very vocally about the broker being a few minutes late, which didn't seem like such a big deal to me. They seemed like generally sour people.

The broker finally showed up and unlocked the door to the building. Right after he walked in, this older abuela was coming out of the building with a rickety laundry cart full of clothes and detergent bottles. One of the wheels was wobbly and she was having a really hard time getting it out the door and down the stoop. The two women who were at the apartment when I got there pushed past her to follow the broker. I slowed down all "esta bien?" and helped her get the cart down the damn stairs and then walked a little faster to catch up to the broker and the two ladies. The one lady turned to me as we were heading up the stairs and was like, "you're not from New York are you?" and I was like, "No, YOU'RE not from New York."
In all previous tellings of this story I've just let it end at my snappy comeback, because it makes for good narrative, but here's the truth: she was from Long Island, which is about as "from New York" as I am! I sure felt stupid. I think even if it had "worked" and she had been from like, Delaware or something, I would've felt like a jerk for making her feel bad, even if she was a clearly not a nice person. But then again, I overthink and overanalyze everything. Why'd I have to go and make things so complicated?

The apartment was a bust, by the way. Too small.

Fast forward a few hours, I have spent some time writing, made some food, had a coffee with Caroline in a park, etc. I had an 8pm appointment to see another possible place, this one on _____ and _____. I biked over there and met the Chassidic broker, who walked me over to a dilapidated building where there were a bunch of older Boricua dudes building a basketball hoop, laughing and joking with each other really loud. We navigated through this fun, boisterous assemblage and into the building, where he showed me an apartment that I think may have had punks living in it. I saw an H2O record and a Latterman poster. May have spotted a back patch. As we were leaving the Chassid dude sniffed in the hallway and turned to me, "is this drugs I smell?"
I hadn't noticed it, but it smelled like weed. I didn't wanna blow up anyone's spot, so I just shrugged my shoulders, looked confused and said, "maybe it's a cigar?"

I headed home, thought about leaving my bike outside, but it was cloudy so I decided to take it upstairs. I leaned it up against the laundromat and sat on the stoop to smoke and call Tina to tell her about the apartment. As I was talking to her, my friend Ronda walked up with her granddaughter Noonie. I got off the phone with Tina and went to the bodega with Ronda, bought Noonie an ice cream sandwich, and walked them home. I walked back to my apartment, went upstairs, wrote some more, fucked around on the internet, ate a brownie, pet my cats. At like, 1am I was sitting at my table smoking a cigarette and watching youtube videos of this guy Eddie Pepitone doing standup (he is very funny, by the way), when I thought to myself, "where is my bi... OH SHIT." And I knew it was gone, and I ran downstairs to just see that it was gone and hate myself for being an idiot.

I put my shoes on and ran down my steps and sure enough, there was no bike there for me. I stood for a minute in the foyer processing my grief, wondering if I could ask Cory to give me back the bike I had given him two years ago because I now didn't have a bike, when my neighbor's kid came in walking his dad's pitbull. He is like, 18 or 19 and one of those super cute fixed gear emo teens. He has like, big cursive words tattoos all over his forearms and a lip ring and rides a track bike that really matches itself and his sneakers and the plugs in his ears. I gave him our regular nod, asked how he was doing.
"I just came from the hospital. My girl had a baby today! I have a daughter!"
I told him mazel tov, or whatever, the usual platitudes, though they were genuine! I am psyched for this kid. 
We were walking up the stairs and he was like, "oh yeah, do you still have that same pink bike?" I shook my head yes. "Cuz before I went to the hospital I saw a couple of crack heads looking at it so I brought it upstairs. You should probably lock it up next time. Can you come get it out of my living room?"

Anyway, things are good here. Hope they're good there!

love, Colin
That's that! The moral is twofold. First, don't bother trying to "put people in their place." It's stupid and you'll probably end up feeling like a dick. Second, be friendly to your neighbors! It feels really good, and also they will be friendly back to you. Unless Phil Chapman is your neighbor, then you should trip him on the stairs.

Some thoughts on sub/counter-culture and its absorption by and place within the capitalist death machine.

Hi guys! Slice Harvester here. Long time no see. I've got a lot of stuff in the works, but I'll mention that in future posts. Right now I want to talk about the capitalist vampires that are sucking our world dry!

The other day I was over at my girlfriend's house when the Verizon guy, a kind older dude, was over fixing the internet. We were making smalltalk with him, and by way of conversation, Tina asked how he thought the strike had gone. He said he was disappointed that his fellow workers hadn't held out longer, because he felt like the concessions made by Verizon were minimal and that the strike had been for nothing. We offered our condolences, but he was resigned. "We had to go on strike just to stop them from rolling back the advances the last strikers made. There's never any progress anymore, we're just fighting off this seemingly endless worsening of everything. It seems like everyone's too tired to actually fight for anything anymore. When I was young, we had so much to fight for, so much we believed in. Four years ago, there were people your age everywhere going door to door for Obama. He may not be the answer to all of our problems, but I saw that and I thought to myself, 'at least these kids are out in the street DOING SOMETHING.' This year, no one seems to care. Everyone seems willing to just take whatever is handed to them. No one is willing to fight. What do you believe in? What are you willing to fight for? "

I explained that there was plenty I was willing to fight for, but that I was maybe an odd case compared to many of my peers. Tina speculated that maybe people have been conditioned to believe that they don't have the power to initiate actual change in the world. And I didn't want to agree, but then I got an email yesterday that forced all my illusions to crash down around me like ill-stacked pizza boxes and I knew that she was right.



The email was from some weird corporate entity called Superfly Presents ("the producers of Bonnaroo"), the people who put together that failed indie-rock and food festival in Prospect Park this summer. Their "manager of content & social media" wanted my input because they are planning on making a zine! How exciting! I love it when people want to make a zine! There should always be more zines!

So, now that we're duly excited at the prospect of there being a new zine in the world (and they want my input? How flattering!) let's see what Superfly Presents have in mind for it:
Handmade. Artful. DIY. These words define the spirit that a zine can convey. While the value of a memorable concert or meal lies in a tangible experience, translating that experience into media is often difficult. Utilizing the grittier, mixed-media format of a zine, GoogaMooga will present the many crossover points shared by food and music.

The zine will define a clear GoogaMooga editorial voice - the consistent thread between festival programming and what exists beyond the physical event. Its “hip”, “edgy” and “punk rock” aesthetic will position GoogaMooga as a trusted tastemaker, building a deeper relationship with its target audience. While humor and a celebratory tone will be used throughout, the zine will also present the brand as having in-depth knowledge of its subject matter.
Oh cool!! Thanks guys! Here's the thing about zines: there are very few rules, but one of them is that they have to be made by actual humans. A brand can't make a zine! While a zine might by hip, edgy or punk rock, a zine is never "hip", "edgy" or "punk rock" ! Zines don't "present crossover points" !!  What is a crossover point anyway? This thing they are making might be a magazine, it might be a brochure or a pamphlet, but it is not a zine and by it's very nature it can't ever be a zine.

So I wrote them back an email and told them all this, reiterating that this thing they are making is not a zine throughout my epistle. And here's the thing: they are going to make this atrocity and call it a zine anyway! And then some people are going to think that this is what a zine is! And then another beautiful thing will be gone from the world. Another thing that used to be the genuine cultural output of True Weirdos and Losers will be diluted and subsumed by the free market and then sold back to us, or given away for free to us as a tool to eventually sell us other stuff. It's really gross and insidious and it makes my head and heart hurt and it makes me wanna puke up my breakfast bagel all over my own lap!

And the thing is, the creation of these fake diversions that actually just help to indoctrinate us further into the Death Machine is an integral part of maintaining the structures of power and keeping people from making anything for themselves. Why make stuff when you can just buy stuff, right? Why create change (and never dare to DEMAND change) when you can just passively absorb everything going on in the world around you?

I have to go to work, but I will flesh this out further if need be. Mostly, we're just repeating tons of stuff everyone already knows: corporations are bad and they try to trick you and don't fall for it! Make stuff for yourself because it's cooler and it feels better to do it like that! Get out of the house! Start a band! Draw a picture! Make a sandwich!

Okay, bye.